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Film Review - Troll (2022)


As the world waits for another installment of the “Godzilla vs. Kong” series (due in 2024), superfans of giant monster movies are offered something to tide themselves over with “Troll,” a Norwegian production looking to merge some kaiju action with local folklore. There’s also a disaster film element to the endeavor, with director Roar Uthaug (who previously helmed the “Tomb Raider” reboot) returning to the genre after 2015’s “The Wave,” bringing more death and destruction to the citizens of Norway. Screenwriter Espen Aukan conjures a simple plan of mayhem featuring a building-sized troll on the loose, hammering out basic characterizations to carry the human perspective while Uthaug deals with visual effects and scenes of mayhem. “Troll” is meant to easily play all over the world, delivering broad strokes and big threats, and it connects as intended. It’s not quite up to supermonster standards, but the viewing experience is breezy while also utilizing local culture and fairy tale history to complicate a dire situation of survival. Read the rest at


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