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April 2008

Film Review: Google Me


Have you ever Googled yourself? One of the more entertaining narcissistic pastimes of a slow workday, the trail of information your name leaves behind is practically a scientific experiment waiting to be explored, revealing unexpected passages of history and identity. For struggling actor Jim Killeen, the iconic search engine opened a psychological door that he couldn’t ignore.

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Film Review: Harold & Kumar Escape from Guantanamo Bay


Right from the start I’m stating that I detested this needless “Harold & Kumar” sequel. However, I’m well aware that it will absolutely delight the franchise’s core group of fans, so please, for the love of all that’s holy, do not step an inch further in this review if you cherished “Harold & Kumar Go to White Castle.”

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Film Review: Then She Found Me


Helen Hunt took herself out of the Hollywood game eight years ago after sleepwalking through the Mel Gibson embarrassment, “What Women Want.” She’s acted in a few projects here and there, but “Then She Found Me” feels like a breaking dam: the overflowing artistic release of an actress fed up with what’s been handed to her. Now Hunt takes matters into her own hands with this raw feature film, her directorial debut.

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Film Review: Deal


Poker has been dealt some terrific cinematic hands before, but “Deal” is hardly cinematic. It feels like it would be more at home on the small screen, where the curious lack of energy running through this picture wouldn’t seem quite as severe, “Deal” is a passable diversion for poker junkies, but I fear will hold little interest for anyone not enthralled by gambling.

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Film Review: Forgetting Sarah Marshall


For some, the Apatowing of American comedy has perhaps lost its luster through repetition. For others (and this would be me), the unwashed comedic sensibility of the Apatow family is a godsend, and “Forgetting Sarah Marshall” is another barnstorming success, flush with peculiar performances, a frothy stream of vulgarity, and a universal tale of brokenhearted loathing that’s sure to make it the finest awkward date movie of the year.

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Film Review: Where in the World is Osama Bin Laden?


It’s impossible to take Morgan Spurlock seriously as a big-screen documentarian. Clearly he comes from the Michael Moore school of “infotainment,” only without the sharp wit or, frankly, compelling subject matters. If you thought nailing McDonalds for unhealthy eating standards in the 2004 film “Super Size Me” was an easy target, wait till you see Spurlock going after global terrorism.

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Film Review: The Life Before Her Eyes


“The Life Before Her Eyes” is a tender film of internal discoveries that doesn’t need any sort of artificial push. An adaptation of Laura Kasischke’s novel, the picture is yearning to follow the literary pathway led by the author, yet quickly becomes a film better at using its own artistic choices instead of trying to communicate established ones.

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Film Review: Jack and Jill vs. the World


“Jack and Jill vs. the World” is teeming with infuriating cinematic qualities. On the surface, it’s an easy film to loathe, yet on closer inspection writer/director Vanessa Parise has managed to establish some interesting emotional corners in this otherwise bubblegum diversion, the least of which is getting Freddie Prinze Jr. to act like an adult for once.

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The Music Time Forgot: The "Judgment Night" Soundtrack


“Judgment Night” was a forgettable 1993 suburban-paranoia action film that starred Emilio Estevez as the “average white dude” and Denis Leary as the charismatic heavy. Lordy, I haven’t viewed the film since its theatrical release, but peeking back into the “Brichives” reveals that I enjoyed the picture when I was a pup, but found it too “clichéd.” I was already using asshat critic-speak back then. Not bad.

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Film Review: Young @ Heart


I understand that the nauseatingly titled “Young @ Heart” is intended to be a joyous celebration of life, but I was bothered by the film in ways I’m having trouble putting my finger on. It’s a heavy documentary about such a cheerful moment of self-expression, but much like last winter’s “The Bucket List,” it is ultimately a story of death, and that is too much weight for this fragile film to carry.

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