• Blu-ray Review – The Black Panther of Shaolin

    Martial arts activity hits the streets of Manila in 1975’s “The Black Panther of Shaolin” (also known as “Bamboo Trap,” which is the title on the print). The Philippines-based production is directed by Ernesto Ventura, who seeks to compete with all the action films of the era, mounting his own take on heroes and villains in the feature, looking to cash in on the frenzy for martial arts movies after the rise of Bruce Lee. “The Black Panther of Shaolin” intends to be a kidnapping drama of some sort, but Ventura isn’t that committed to storytelling, launching a somewhat baffling tale of escalation between the bad guys and the men hired to save the day, also working in a couple of cultural ceremonies, big turns of character, and oddball editing to bring the picture to life. It’s not a terribly exciting movie, and incoherence is a major issue, but as an offering of violence from the Philippines, the endeavor has select moments of excitement. Just not enough of them. Read the rest at Blu-ray.com

  • Blu-ray Review – The Black Six

    1974’s “The Black Six” certainly appears to be a movie set up for great success. It has a heck of a casting hook, bringing in six NFL players to populate a Blaxploitation picture, giving the endeavor interesting marquee value, just not thespian might. It’s a biker movie concerning the exploits of black Vietnam vets trying to distance themselves from their pasts, running into trouble in rural California, or “cracker country,” when a death goes without investigation, putting the gang on the hunt for the killer. It’s a low-budget endeavor, but one with great potential, using the football stars to offer an unusual level of screen intimidation and camaraderie, and for about 15 minutes, it works. It’s the rest of “The Black Six” that carries tremendous disappointment, watching director Matt Cimber and screenwriter George Theakos fumble (heh) the basics of investigation and revenge, going as slow as humanly possible with material that’s bizarrely uneventful. Read the rest at Blu-ray.com

  • Blu-ray Review – Playroom

    Manny Coto, best know as the director of 1992’s “Dr. Giggles,” makes his helming debut with 1989’s “Playroom” (a.k.a. “Schizo”), establishing his love of horror with a story about a man confronting his past while reuniting with his insanity during an archaeological expedition in Yugoslavia. Coto and screenwriter Keaton Jones (the once and future Kelly Leak, Jackie Earle Haley, takes a story credit) arrange a small-scale inspection of an unraveling, keeping their budget low with a semi-slasher that struggles with psychological elements and basic suspense needs. While it has a cast who appear committed to the cause, “Playroom” just isn’t very thrilling, eventually settling on a few creative choices that border on the bewildering. Read the rest at Blu-ray.com

  • Blu-ray Review – Relay

    Screenwriter Justic Piasecki makes his feature-length debut with “Relay,” and he offers a very interesting idea about a relationship the develops between two people involved in a whistleblower event gone horribly wrong. It’s a fascinating story that blends procedural action with deep characterization, at times recalling some of the better paranoia thrillers of the 1970s. Director David Mackenzie (who hit a career high with 2016’s “Hell or High Water,” only to come back down to Earth in 2018’s mediocre “Outlaw King”) is tasked with maintaining steady pressure on the audience, creating unusual tension from scenes of communication and surveillance. For the first two acts, “Relay” is excellent, hitting a few logic gaps while generating an impressive amount of suspense, promising a great conclusion to come. A satisfying ending doesn’t arrive, but Mackenzie and Piasecki get most of the way there, handling the nail-biting needs of the tale and its unique study of planning and pursuit. Read the rest at Blu-ray.com

  • Film Review – The Gates

    Writer/director John Burr tries to mix elements of headline news and B-movie thrills in “The Gates.” It’s a study of racial tension inside a gated community, but Burr doesn’t have any real investment in a nuanced understanding of tensions. He’s making more of a blunt instrument with the picture, but one that holds attention with its gripping set-up and understanding of threat. “The Gates” backs off from anxious moments at the midway point of the feature, but Burr manages some successful scenes of shock and confrontation, playing with the rough edges of bigotry and exclusion to feed a partially kinetic offering. It’s definitely not a film that’s trying to make sense of hatred, instead using it to power a mostly effective exercise in suspense and plot turns, which Burr handles to the best of his ability. Read the rest at Blu-ray.com

  • Film Review – Preschool

    As an actor, Josh Duhamel typical gravitates toward more serious roles, often portraying characters struggling with life or troubled people stuck in bad situations. When he directs, Duhamel only makes comedies, and broad ones at that, highlighting his love for slapstick and crudeness in two installments of the “Buddy Games” franchise (yes, two). He’s back with silliness for “Preschool,” joining screenwriter Richard D’Ovidio (“Thirteen Ghosts,” “The Call”) for an examination of two dads engaged in a destructive battle to join an elite school for their young children. It’s not the most inspired story, and the writing doesn’t go out of its way to deliver laughs. Duhamel plays it safe with the picture instead, providing a tired sense of mischief with a movie you’ve seen before. Read the rest at Blu-ray.com

  • Film Review – Reminders of Him

    The next step in the Hoover-ication of romantic cinema is “Reminders of Him,” which is an adaptation of a 2022 book by Colleen Hoover. The picture arrives after the enormous success of 2024’s “It Ends with Us” and 2025’s “Regretting You” (which did decent business), keeping Hollywood on the hunt for material from the prolific author, who specializes in melodramatic beach reads. It’s been tough to recognize the writer’s power over readers, and the previous two films were difficult to digest. Enter director Vanessa Caswill, an English helmer who previously turned in fine work with 2023’s “Love at First Sight,” and now has the challenge of transforming Hoover’s iffy imagination into reasonably interesting cinema. Caswill remains remarkably committed to preserving a human touch to “Reminders of Him,” delivering a feature with some honest emotions and a less manipulative way of doing business. Read the rest at Blu-ray.com

  • Film Review – Project Hail Mary

    “Project Hail Mary” is the first film from directors Phil Lord and Christopher Miller since 2014’s “22 Jump Street,” not counting their hands-on approach to overseeing production on the two animated “Spider-Verse” movies. It’s been quite some time since “The Lego Movie” and “Cloudy with a Chance of Meatballs” filmmakers have been in control of a production, and their latest certainly plays like a purging of ideas build up over the years. They’re put in command of an adaptation of Andy Weir’s 2021 “hard science” novel, with “The Martian” writer cooking up another tale of desperation in space and all the intellect required to solve problems. Screenwriter Drew Goddard handles the literary translation (returning to duty after work on 2015’s “The Martian”), and the production team is clearly out to make an epic with “Project Hail Mary,” which offers space exploration, a complicated mission to save Earth, and contact with a helpful alien. Lord and Miller attempt to go very big with the offering, which remains engaging enough, but the directors are definitely out to win hearts with the feature, getting a little too pushy with sentimentality as the story unfolds. Read the rest at Blu-ray.com

  • Film Review – Slanted

    Amy Wang makes her feature-length directorial debut with “Slanted,” and she takes on an interesting storytelling challenge with her screenplay. It’s a teen-friendly introduction to body horror, examining the emotional struggles of a young Chinese woman hoping to find a way to fit in with the white society that surrounds her. There’s satire in play, but the picture is mostly sincere in its concern for a fragile mind taking a big health risk to alter her identity, which only manages to create even more complications. “Slanted” has an angle on low self-esteem and acceptance issues that’s worth examining, and Wang offers an appealing cultural perspective to help support dramatic entanglements. The movie isn’t razor sharp and doesn’t get weird enough, but Wang’s creative voice remains clear in this thought-provoking offering. Read the rest at Blu-ray.com

  • Film Review – Undertone

    2009’s “Paranormal Activity” was the surprise hit of the year, launching a haunted house-style viewing experience created with extraordinarily little money and story. The whole event was made up of loud noises and the occasional offering of threatening imagery, managing to win its audience over by trying to rattle nerves. The same concept for minimalist horror returns in “Undertone,” with writer/director Ian Tuason endeavoring to create a brain-melter with a severely limited budget, keeping the tale of a podcaster experiencing a week of torment to the confines of a single house. It’s not a found-footage effort, but more of a psychological chiller, putting Tuason to work building a sound design capable of carrying an entire feature, placing the main character in the middle of an aural hell. And sound is basically all “Undertone” has, unable to cook up a more dynamic haunting to follow as everything in the movie goes crash, bang, boom. Read the rest at Blu-ray.com

  • Film Review – Bodycam

    The “V/H/S” series of anthology films has been going strong in recent years, and just last year welcomed the release of the franchise’s eighth installment. The features focus solely on found-footage/POV horror, giving viewers a sense of immediacy as wicked things happen to hapless characters. “Bodycam” isn’t a lost chapter of the “V/H/S” saga or even a spin-off title, though it basically offers the same viewing experience. Co-writer/director Brandon Christensen (“Superhost,” “Night of the Reaper”) return to the chaos of gradually building insanity facing personalities who don’t understand what they’re up against, with two police officers involved in trouble, recording their night of terror on body-worn cameras. “Bodycam” isn’t anything genre fans haven’t seen before, and there are long stretches of the endeavor where little is happening, but Christensen gives minimalist horror a try, coming up with a few involving points of pressure and a decently hellacious conclusion. Read the rest at Blu-ray.com

  • Film Review – The Optimist

    Stephen Lang plays tough guys. He’s been doing it throughout most of his career, and he’s done it very recently, keeping up a villainous presence in “Avatar: Fire and Ash” and doing B-movie duty in the recent “Hellfire.” For “The Optimist,” Lang offers a welcome change of pace, tasked with portraying Herbert Heller, a Holocaust survivor who decided late in life in begin sharing the story of his experiences during World War II, with hopes to reach others carrying considerable pain. Writer/director Finn Taylor (“Dream with the Fishes”) looks to make an intense but sensitive drama from the tale, creating a study of unexpected connection found during troubling times, and Lang is there to hold the picture together with his sturdy, gentle performance. “The Optimist” runs into storytelling issues late in the film, but it remains a powerful understanding of endurance, providing intimacy with crisis and compassion. Read the rest at Blu-ray.com

  • Blu-ray Review – Gang Related

    The writer of “Stakeout” (and, well, “Another Stakeout”), Jim Kouf, tries his luck with a twisty tale of crime and paranoia in 1997’s “Gang Related.” Primarily known as the last film rapper Tupac Shakur worked on before his death, the picture tries to fit in as many tributes to the co-star as possible, even using his music on the soundtrack. However, Shakur is arguably the least compelling element in this examination of police corruption, with James Belushi enjoying the meatier part as things go from bad to worse for his character. “Gang Related” has a little trouble with its resolution, but overall escalation is terrific in this darkly comedic thriller, with Kouf clearly having fun arranging difficulties and inventing mistakes for his characters. Read the rest at Blu-ray.com

  • Blu-ray Review – The Strange Affair

    “The Strange Affair” is an adaptation of a novel by Bernard Toms, and it certainly plays out like paging through a book. The picture explores corruption in many forms, and it follows a large community of characters in the process, with the screenplay trying to braid multiple subplots into a single understanding of ruination. The 1968 feature is a little wobbly as it attempts to juggle motivations and mistakes, but director David Greene (“Godspell,” “I Start Counting”) maintains a steely view of bizarre developments in the tale, and he has an incredible cast to help bring such oddity to life, selling the emotional moods of the endeavor. “The Strange Affair” remains a compelling sit as it details crooked behavior and bad decisions, managing to maintain focus on the basics of desperation as it works its way to an ice cold conclusion. Read the rest at Blu-ray.com

  • 4K UHD Review – The Life of Chuck

    “The Life of Chuck” is based on a Stephen King novella from 2020, and we’ve been here before. Works from the iconic author, especially shorter ones, have inspired a few of the finest King adaptations around, including 1994’s “The Shawshank Redemption” and 1986’s “Stand by Me.” That same level of cinematic magic isn’t quite present in the new picture, but writer/director Mike Flanagan (a King Country vet with work on “Gerald’s Game” and “Doctor Sleep”) remains ambitious with the effort, out to scramble minds and soothe souls with the movie, which looks to fold time and space in an attempt to address the human condition. “The Life of Chuck” is all over the place, and Flanagan’s lyrical approach to the endeavor might feel like itching powder to some viewers. It’s a deeply flawed offering of mystery, but the helmer fully commits to the strangeness of it all, which is impressive, clearly out to deliver an inscrutable feature that’s meant to connect in a heartfelt manner. Read the rest at Blu-ray.com

  • Blu-ray Review – Watch the Skies

    Co-writer/director Victor Danell is part of a filmmaking collective known as “Crazy Pictures.” “Watch the Skies” is their second feature (after 2018’s “The Unthinkable”), with Danell (and co-writer Jimmy Nivren Olsson) attempting to launch an alien conspiracy thriller for a family audience, going a bit softer with the material’s depiction of paranoia and pursuit. Released in Sweden three years ago, “Watch the Skies” attempts to crack the North American market with its presentation of emotional wounds and physical endangerment, using a special A.I. program to help match lips to the English dub, hoping to attract more than the usual specialty cinema crowd. It’s a lively endeavor, and one that benefits greatly from its engaged acting, which lifts an occasionally familiar screenplay that’s often trying to replicate the Spielberg Experience without a truly inspired story. Read the rest at Blu-ray.com

  • Film Review – The Bride

    For her second feature-length directorial effort, Maggie Gyllenhaal goes from the smallness of the psychological thriller “The Lost Daughter” to the bigness of “The Bride.” Armed with a massive budget and her own screenplay, Gyllenhaal sets out to redefine 1935’s “Bride of Frankenstein” with help from the ghost of author Mary Shelley and the pumping heart of cinema, submitting a significant effort to transform the endeavor into a lawless, anarchic overview of monster love. “The Bride” goes for broke with its tone and character creations, putting Gyllenhaal to work transforming the idea into a meditation on feminism and askew empowerment. It’s hard to fault her intentions, but sitting through the picture is an exceptional endurance test at times, finding the helmer showing little interest in telling a viable story while the rest of the offering becomes an overacting convention from performers left alone to do anything they please. Read the rest at Blu-ray.com

  • Film Review – War Machine (2026)

    While co-writer/director Patrick Hughes came on the scene with the grittiness of 2010’s “Red Hill,” the helmer has largely abandoned reality for most of his career. Hughes favors the world of action/comedy, looking to charm and pummel audiences with endeavors such as “The Hitman’s Bodyguard” (along with its 2021 sequel) and “The Man from Toronto.” He’s not the most inspired architect of entertainment, but Hughes finally puts his funny bone to rest for “War Machine,” which hopes to become a more destructive sci-fi/thriller, pitting U.S. Army Ranger hopefuls against a heavily armed alien menace. It’s a straightforward tale of survival from Hughes and co-writer James Beaufort, and they mostly deliver an exciting ride with the picture, investing in heated scenes of confusion and defense, giving star Alan Ritchson plenty of panic to play as he carries the periodic intensity of the offering, which is always most confident in battle situations. Read the rest at Blu-ray.com

  • Film Review – Protector

    It hasn’t been easy to sell a Milla Jovovich action picture that doesn’t have “Resident Evil” in the title. The actress has been struggling to maintain an audience in recent years, with features such as “In the Lost Lands,” “Breathe,” and “Monster Hunter” mostly ignored by paying audiences. Her latest, “Protector,” is probably going to join the box office bomb club, but to the film’s credit, it goes down swinging. Screenwriter Bong-Seob Mun has an idea to do something slightly sneakier with the one-person-army concept, and director Adrian Grunberg (“Get the Gringo,” “Rambo: Last Blood”) has a fondness for viciousness, trying to deliver a hard-hitting tale of revenge that celebrates Jovovich’s commitment to physical acting. “Protector” is harsh at times, but also exceedingly ridiculous overall, and while dumbness isn’t always a problem when it comes to the highlights of B-movie entertainment, it definitely doesn’t help this loony offering. Read the rest at Blu-ray.com

  • Film Review – Hoppers

    “Hoppers” is the first Pixar Animation production for director Daniel Chong, who’s been with the company on a story development level for the last 15 years. Chong is perhaps best known as the creator of the delightful animated series, “We Bare Bears,” even helming 2020’s “We Bare Bears: The Movie.” He returns to this special sense of humor and love of animal shenanigans in “Hoppers,” which is Pixar’s first endeavor since 2025’s criminally underrated “Elio.” Screenwriter Jesse Andrews is tasked with bringing a sci-fi edge to a mostly wacky comedy about a teenager’s incredible effort to save nature, also working in Pixar’s usual fondness for tenderness and dramatic impact. They score a major success with the wonderful feature, with Chong overseeing rich animation and flavorful voice work, while Andrews manages to find a plot and a message worth following. Read the rest at Blu-ray.com