Twentysomething love without protection, SEALs in need of Strasberg, Tom Cruise vs. Bon Jovi, Billy Crystal’s bathroom routine, the hilarity of colon cancer, the lulz of internet horror, McG and the game of love, a movie with a devil of a non-ending, and a brutal pair of Perrys. These are the worst films of 2012.
An Iranian uproar cooled by Hollywood fakery, a failed boy scout on the hunt for true love, fast food friction, the true price of greed, the slaughter of reality show stars, the quest to bring Osama bin Laden to justice, positive thinking put to the ultimate test, shaken and stirred, a mechanical best friend, and a visit to a nightmare factory via the woods. These are the best films of 2012.
Opening on April 13th is a film that’s almost impossible to describe. “The Cabin in the Woods” marks the directorial debut for screenwriter Drew Goddard, who achieved early industry success with his work on the monster movie “Cloverfield” and the hit television shows, “Buffy the Vampire Slayer” and “Lost.” Reteaming with Joss Whedon, Goddard looks to shake up the stale conventions of the horror genre with “Cabin,” a marvelous joyride of scares and giggles that’s a pure valentine to the moviegoing experience. Recently, I had an opportunity to sit down and discuss this wonderfully peculiar picture with Goddard, a man palpably excited to see his oft-delayed feature finally released. Read the rest at Blu-ray.com
Opening this week is the documentary “Page One: Inside the New York Times,” which follows a year in the life of the behemoth of print journalism as it struggles with sweeping changes in the media landscape, captured by director Andrew Rossi. In June, Rossi spoke at the 2011 Investigative Reporters and Editor Convention, also screening his film to a room of prominent journalists. The filmmaker also offered a few moments to discuss his picture and his feelings on the future of the industry.
A long time ago in a galaxy far, far away there was a motion simulator attraction titled “Star Tours,” born from the imagination of George Lucas and his iconic “Star Wars” franchise. For over two decades, the entertainment experience remained unchanged at Disneyland and Walt Disney World, leaving fans to wonder if the semi-dated attraction would ever see a significant overhaul. After all, being an unabashed tinkerer, why would Lucas leave one of the more vividly imagined forays into his ATM-like empire unmolested? Would “Star Tours” remain the same forever? I mean, honestly, how many times can a person do the trench run before a case of the sleeps sets in?