
Opening this week is the documentary “Page One: Inside the New York Times,” which follows a year in the life of the behemoth of print journalism as it struggles with sweeping changes in the media landscape, captured by director Andrew Rossi. In June, Rossi spoke at the 2011 Investigative Reporters and Editor Convention, also screening his film to a room of prominent journalists. The filmmaker also offered a few moments to discuss his picture and his feelings on the future of the industry.
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A long time ago in a galaxy far, far away there was a motion simulator attraction titled “Star Tours,” born from the imagination of George Lucas and his iconic “Star Wars” franchise. For over two decades, the entertainment experience remained unchanged at Disneyland and Walt Disney World, leaving fans to wonder if the semi-dated attraction would ever see a significant overhaul. After all, being an unabashed tinkerer, why would Lucas leave one of the more vividly imagined forays into his ATM-like empire unmolested? Would “Star Tours” remain the same forever? I mean, honestly, how many times can a person do the trench run before a case of the sleeps sets in?
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“Soul Surfer” (opening in theaters on April 8th) recounts the amazing true story of surfer Bethany Hamilton (played in the film by AnnaSophia Robb), who survived a horrific shark attack, losing her left arm at the age of 13 but not her will to continue life on idyllic Hawaiian waves. It’s a story of perseverance, faith, and family, capturing a teenage girl as she faces an extraordinary situation with a shockingly sound mind. Recently, I had the chance to speak with Hamilton (now 21 years old) about her experience with the film and her life beyond the waves.
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Celebrating their 15th year stomping around the globe, Michael Flatley’s “Lord of the Dance” troupe finally makes their way to the multiplex, an ideal venue to display their flying feet and pearly white smiles. Taking the spectacle further, the feature is presented in 3D, permitting Flatley and the gang screen depth that accurately communicates the dimensions of the stage show, offering fans a front row seat to a celebration of all things Flatley. Sequins shimmy! Dances are lorded! And Flatley magically repairs a broken flute with his rear end! What’s not to like here?
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I received an unexpectedly warm response to my original Terrace Theater story. My inbox was filled with support and stories, people who wanted to share their grief over the loss of this movie palace. It was a gush of nostalgia that encouraged me to head back to the site of the crumbling theater, yet I completely forgot to post the pictures from the trip. This is a more unedited look at the state of the building, with a few peeks inside. As always, click the picture for a larger view.
Continue reading "The Terrace Theater in Robbinsdale, Minnesota (Take Two)" »

Ariel’s rebirth, Affleck’s revenge, stuttering blues, attack of the clones, superpoke supremacy, Rooster’s rage, a toothless friendship, apartment hell, unspeakable loss, and zombie flowers. These are the best films of 2010.
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Plastic runaways, 100% medical accuracy, Kristen Bell x2, the strain of marriage, the wrath of Dick Chainy, Lawrence of My Labia, Edward Sullen, Schumacher’s revenge, and Nazi mice. These are the worst films of 2010.
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In August of 2009, James Cameron devised a unique way to promote his upcoming movie. The event was called “Avatar Day,” offering the curious and the faithful an opportunity to view 16 minutes of exclusive footage at a nearby IMAX theater, helping to increase awareness of the blockbuster-to-be, while also revealing a substantial look at the 3D artistry of the film, which, up until that point, was mostly a mystery outside of a few trailer sneak peeks. The experience was short, but very sweet, doing its part to build “Avatar” into the box office behemoth it eventually became.
Continue reading "Attending Tron Night" »

Being quoted on a DVD or BD cover is flattering. Some critics have made it a living. In my world, the act of being quoted is a rare event, occurring every blue moon or so, usually when there’s no other review for the studio to pick from. This past month brought three such occasions to my doorstep.
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